Spring Haiku #02

White bird, yellow crest.

Hollow incubator nest.

Before hatchlings, rest.

Alone

I walk alone upon the path
In deep discussion that makes me laugh
here I am a social being
talking to myself without seeing
a single soul from week to week
and no desire with which to seek
companionship or another’s humour
tall tales or disrespectful rumour

I know myself I can rely on me
I can be the person I want to be
I can see the things I want to see
and if need be I can more easily flee
alone

Winter Springs Warm

Photo Michael Taylor.
If winter is now to be spring
here’s the thing
summer is going to be scorching and long
the sun will beat down dangerous and strong
more intense fires will more frequently burn
for longer in more places each in their turn
as the driest droughts on earth each year
will become hot enough to boil our tears

2026 has seen Melbourne and Sydney’s hottest winters on record. This is no surprise because we all witnessed signs of Spring beginning in July.

Individually we feel powerless. Locally we are powerless. Nationally we continue to vote based on personal short term needs. Globally we hopelessly observe desperate hand wringing and inconsequential action with resignation.

The Love Party

this kiss, first of spring
two lovers, lives joined as one
sparks - The Love Party

On a perfect spring day the wedding takes place. The setting a pillow soft grassy sward of green subtly dappled by the fresh blooming leaves and branches above. This verdant carpet gently slopes down to the tumbling Spring Creek below. Running water creates a tinkling backdrop to a natural amphitheatre.

The semi circular gathering of friends, family and other loved ones is awash with anticipation. The new season’s golden sunshine adds to the warm inner glow in which each soul present dreamily basks.

A murmur precedes a parting, a joyous gasping announces the arrival of two brilliant smiles on radiant faces. Black patent leather shoes and open white sandals step gracefully down the way. The crisp pin striped navy suit attired Emerald is arm in arm with Georgia in a shimmering white satin jacket and trousers that flash and ripple in the light breeze. Emerald and Georgia are married. They seal their commitment with their first married springtime kiss ..... and the three day Love Party begins.

Mish set this week’s d”Verse Haibun prompt. Check it out. https://dversepoets.com/2026/08/31/haibun-monday-wedding-bliss/

New thinking and processing required

New planetary scale thinking and processes for the politics of energy production and consumption are the end to which the global community aspires.

A lowering of the ever escalating threshold tolerance for anthropogenic influenced rises in greenhouse gases is the priority the earth requires.

Atmospheric CO2 beyond ~400 parts per million disrupts natural checks and balances such that catastrophic consequences may be impossible to prevent.

Claims more study is necessary before too expensive resolving efforts only mean we rush towards dire outcomes at disastrous future cost for every dollar not currently spent.

The past decade has seen the hottest years recorded beyond preindustrial times. At almost +1.5C consequent accelerator negative feedback loops as follows include:

Amplifying ice-albedo loops, water vapour loops, permafrost warming loops, ocean warming and acidification loops. You can now see them in the daily news.

Variable monsoons, extreme weather, flora and fauna migrations, severe drought, flood and bushfire, extinctions and coastal losses have already begun.

Yet still self interest and denial dominate the necessary scale of decision-making on behalf of every species under the sun.

Acting local is good, but no longer anywhere near good enough. Global solutions are needed that are necessarily wise and tough.

Only constructive planet wide climate and energy action can save us here and now on the cusp.

From our local conservation blog: Strathbogie Ranges Nature View.

Podcast Episode: deep dark blue

Pip: poetography.ink — where the color blue does more emotional heavy lifting than most novels.

Mara: Today we’re sitting with a single poem by seanatbogie that moves through blue as landscape, then intimacy, then grief — and it earns every shade of that journey. Let’s start with the poem itself.

deep dark blue

Pip: The question this poem asks is deceptively simple: what does blue mean when the world is still beautiful and the person beside you is leaving?

Mara: The poem opens in postcard serenity — water, mountains, a wooden jetty, a cotton dress — and then turns. Here’s where it pivots: “your eyes are blazing iridescent blue when I gaze into them I’m suddenly drowning cyanosed lips bruised blue blue finger tips touching you cold with the bleak blue fear of no longer having you near.”

Pip: That shift from picture-perfect to clinical is the whole poem in miniature. Cyanosis is what happens when the body stops getting oxygen. The poem borrows medical vocabulary to say: this is not metaphorical dying, this is the body registering loss as a physical event.

Mara: And the poem sustains that register all the way through. The line “pumping vital red to sluggish dying blue” frames the heart itself as a system failing — red is life, blue is what life becomes when it slows. The warmth of the day never leaves; the poem is careful to keep the summer intact around the collapse.

Pip: Which is the move that makes it land. If the weather had turned, the grief would have somewhere to hide. Instead it sits in full sun on a pretty jetty, which is a crueler place to fall apart.

Mara: The closing image pulls everything together: “deep dark blue and frozen to a jetty pretty above turbulent water dark deep blue I discover your love is no longer true.” The turbulence was always underneath the surface. The prettiness was always the trap.

Pip: Blue as a color word usually signals sadness and stops there. This poem makes it do six or seven things — geography, eye color, bruising, hypothermia, cardiac output — and the accumulation is what gives the ending its weight.

Mara: It’s a single sustained image system, and it holds.


Pip: Blue as a color, blue as a diagnosis, blue as the moment you realize the water was never still.

Mara: That’s the kind of poem that stays with you. More from poetography.ink next time.

Find the original poem here: https://poetography.ink/2026/05/19/deep-deep-blue/

no one is at home

I knocked at the door right on time
I pressed the doorbell and heard it chime
I waited a few minutes until I was sure
no one would answer so I moved from the door
I skirted the house via the garden gate
I went round the back again to wait
the back door was locked the blind was down
I went to a bedroom window with a furrowed frown
I peered through the glass into a dim interior
all looked in order through that glassy mirror
the furniture was upright the bed had been made
through the dining room window the table was laid
I went to the kitchen to look further inside
the fridge was closed dishes washed and dried
so I went back to the front and sat on the step
rain had started to fall I was getting wet
so where was I in this absent dilemma?
not a sign inside not even a glimmer
I thought then I should ring on the phone
but what was the point?
I definitely wasn’t at home!

Another glorious Victorian walk.

Reblogged from Strathbogie Ranges Nature View, another walk worth a look..

in the doghouse

Woof!
I strongly urge you to reconsider
your decision to withhold my dinner
for it was only a minor crime
that should not leave me food less for a time

this situation is certainly partly your fault
for exposing your best shoes to assault
by discarding them carelessly inside the front door
such that my resistance steadily weakened wherefore

the attraction of soft chewy elastic leather
proved as irresistible as a day of sunny weather
when chewing shoes in vestibule halls
equates to the joy of parkside chasing of balls

and you must admit my masticating those tasty treats
is not the equivalent of nutritious and tasty meat
so spare a thought for an act ne’er again to be mentioned
please, your dismay was never my intention
I strongly exhort you to review my sentence

in return I’ll offer a cute and remorseful look
of ne’er again pretence

Strathbogie Ranges Nature View (SRNV)

SRNV is a nature blog I have neglected my co-authorship of in recent years. This has been due to work and family commitments taking me to other parts of this wonderful state of Victoria. In the meantime, Bert has continued his informative presentation and celebration of our region. Now I am spending more time back in Central and North East Victoria I am well and truly ready to join him again. I will reblog here to poetography.ink for my occasional reader’s interest.

A Melbourne beaches walk from afternoon into the evening

missed

Richmond Railway Station, Melbourne
I missed the last train
but in the moment I saw it as an opportunity
to walk the midnight kilometres home

I bravely left the yellow lit platform
lonely island full of light
and its twin ribbons of steel
fading into the night

i crossed the darkened city instead
stepping from one street lit pool to another
where roads were stark the highways bare
for all my looking there was nobody there

I found my way footsore and weary
across a city where there was not a soul who cared
but I was glad I had dared

The last dune

Dunes of The Coorong, South Australia.
These dunes go on forever and never in my life have I felt so tired
the marching crests go on and on toward the same relentless sun I once admired
every step is weighted by troughs of sand negating the energy left to put one foot ahead of the other
but as I stagger wearily the last dune appears blearily after which I begin to think of rest and cover
I crawl the final distance against flowing sand resistance until over the last rise I will at last be
where my resolve finally breaks when viewing from the last dune I see queueing only more dunes
before a desolate beach and an endless sea

choose your own future

It is with regret that I realise my prophecy will not be believed
it is with sadness that I see a world of unwanted hurt cannot be relieved
into the apocalypse will fall one and all for want of not heeding my call

it is not for a lack of frequency that my message remains unreceived
it is not for a deficit of clarity my warning languishes ill perceived

for none can learn from the evidence when there are none who wish to hear
who from convenient comfort will attend to tales of turbulent doom as it draws near?
who has the power to break the apathy of masses when the masses will not act on their fear?

and who will take the time to reflect after the dismal impact, who will shed a tear?

The lighthouse of ghosts

Cape Schack lighthouse, Victoria
The Cape Schanck lighthouse is still full of ghosts
of keepers passengers and sailors who died on this coast
as white as the thick walls through which they keen
they swirl through the tower only glimpsed never seen
forever unsettled by tragedy at the mercy of storms
restless air is chilled by their cold empty forms
even when the wind is warm and the wide strait is calm
they struggle with their violent cruel death and its legacy of harm
remembering loved ones left behind who grieved at the cost
ghosts grieve for futures never had to the sea that were lost

today's lively visitors to the lighthouse one and all
never leave without hearing a whisper or a ghostly call
when they climb the spiral steps to look at the view
they hold loved ones closer against a chill as if they knew
each of the ghost stories from each deep watery grave
all stop a sad shivered moment with the souls never saved
then they return to their homes families and friends
departing a ghastly lighthouse dance that never ends

My response to The Skeptic’s Kaddish W3 prompt. Make sure you read Dennis Johnstone’s and Nancy Richy’s two wonderful poems included.

Democracy, where for art thou?

Better days? Australian House of Representatives, circa 1972.

The dVerse prosery prompt to which I have responded comes from Merrill. It seemed to demand a political statement to me. See below:

The crossing

A poem inspired by this photo I took of Savonlinna Castle, Lake Saimaa, Finland.
He crossed the bar sails puffed full as his chest 
proud to be crashing the swells and foaming waves
escaping the line upon line of graves
his father his brothers his family destroyed
only his youth denied vengeance for he had been but a boy

but now he was strong free to charge into the fight
to wreak havoc and injury to his morbid delight
the one goal remaining in his grief filled life
only one task to satisfy his dissatisfied plight

in the land of his enemy he had something to prove
to show the dark master he had nothing to lose
what he could do where his father and brothers had failed
onto the place of their betrayal he now speedily sailed

to vanquish that brutal regime on its very own soil
after years of study planning training and toil
he stepped onto the land an army at his back
and he cried the war cry, "Attack men, Attack!"

flowers

make more colour
my little flowers
for the world
is becoming bleaker
its complexion darker
we must not
let the darkness win
how can I help you
put more colour
back into the world
my little flowers?

upside city view

State Library Underground Railway Station, Melbourne, Victoria
As I travel around the city
I contemplate something true
people are all doing something
seeing myriad projects through

every choice they make a decision
to copy or find something new
in working separately or together
they are constantly stirring
the city’s creative brew

Landscapes

Alpine meadow Mt Buffalo, Victoria.
It is the rugged mountain landscape that reflects my heart
from great heights I watch over every part
the pinnacles are the summit of my aspiration
valleys are where I pause for consideration and revelation
water scoured gullies have carved their scars onto my soul
but the long deep range sustains and heals my whole

open rolling plains broad flat and wide
are where the scope of my vision emerges from inside
where I can see from horizon to horizon
nothing impedes my hopes here my future can be spun
I absorb the beauty of each day each morning and evening sun
from each creature or blade each single tree or forest
watching and observing for new opportunities to enlist

along waterways I explore the wilder places I adore
where raging tempest or placid calm invoke irrepressible desires for more
like the fluid medium within me water of my life
clean water fills all empty spaces with relief
and ocean depths teem with the origins of my genes
where all futures were created as a multiverse of dreams

This week the dVerse poetics prompt from Dora was to incorporate a landscape or cityscape into your poetry that either mirrors or amplifies your interior landscape (or lack thereof).

Hey na vro po

When I’m looking for a place to go
I say to myself “hey na vro po”
cos sometimes I just wanna go slow you know
so I clear my head with hey na vro po

it works like a dream every time
I let off steam I really unwind
to small animals and children I become very kind
after hey na vro po that’s what I find

it’s sort of like floating in your mind
you levitate and leave reality behind
looking down around you you look for signs
of where you’ve been or are going
it’s not defined

I sometimes follow myself walking down the street
my mind is vacant I’m walking a slow beat
I’m heading for a park to take a seat
and visiting the park feels really neat
so I sit gently down I put up my feet

I lean my head back to look up at the sky
it’s empty as my brain except a bird flies by
the bird is blue but it has a happy cry
hey na vro po everything is right with the sky

it’s so nice in a space where the world is green
where everything is cool a scene to be seen
I stretch out my arms along the seat in a dream
I then stretch out my legs and watch motes in a sunbeam

there are couples walking and families at play
there’s some kangaroos looking at me as if to say
so you’ve treated yourself to a hey na vro po day
well don't let us get in your way

good for you you deserve it mate
to take your empty self out and about is great
it's kind of like a one person date
hope you find the sweet spot in your mindless state

you can learn a thing or two from a kangaroo
when they look into your eyes just look back too
you’ll find a blankness you should aspire to too
for they are excellent role models for you
high quality lounging is what they like to do

so you lounge on the grass to watch life pass
you soak up sun as you stretch out and bask
you discover that lying on the grass is no task
you allow yourself to doze without being asked
and it doesn't matter one bit how long it lasts

twilight arrives as the sun starts to go down
time to go home walk back through the town
hey na vro po waylays any frown
you're so relaxed you don't mind downtown brown
still you weave some colourful flowers into a crown
another hey na vro po day you sought and you found
so you walk back with your feet just above the ground

Autumn Haiku #01 (revisited)

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The heat

Desert, North West Victoria.
It is the weight of the heat that I struggle to bear
a relentless oppressiveness that burns my skin
I am surrounded by its stillness its density
dehydration works from the outside in
my surface is sweaty gritty debris
constant exposure is to wither
and shade is no relief
at 48 degrees the sun
robs me of my water
a remorseless thief

Cnr Elizabeth & Flinders

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