Pip: poetography.ink — where the color blue does more emotional heavy lifting than most novels.

Mara: Today we’re sitting with a single poem by seanatbogie that moves through blue as landscape, then intimacy, then grief — and it earns every shade of that journey. Let’s start with the poem itself.

deep dark blue

Pip: The question this poem asks is deceptively simple: what does blue mean when the world is still beautiful and the person beside you is leaving?

Mara: The poem opens in postcard serenity — water, mountains, a wooden jetty, a cotton dress — and then turns. Here’s where it pivots: “your eyes are blazing iridescent blue when I gaze into them I’m suddenly drowning cyanosed lips bruised blue blue finger tips touching you cold with the bleak blue fear of no longer having you near.”

Pip: That shift from picture-perfect to clinical is the whole poem in miniature. Cyanosis is what happens when the body stops getting oxygen. The poem borrows medical vocabulary to say: this is not metaphorical dying, this is the body registering loss as a physical event.

Mara: And the poem sustains that register all the way through. The line “pumping vital red to sluggish dying blue” frames the heart itself as a system failing — red is life, blue is what life becomes when it slows. The warmth of the day never leaves; the poem is careful to keep the summer intact around the collapse.

Pip: Which is the move that makes it land. If the weather had turned, the grief would have somewhere to hide. Instead it sits in full sun on a pretty jetty, which is a crueler place to fall apart.

Mara: The closing image pulls everything together: “deep dark blue and frozen to a jetty pretty above turbulent water dark deep blue I discover your love is no longer true.” The turbulence was always underneath the surface. The prettiness was always the trap.

Pip: Blue as a color word usually signals sadness and stops there. This poem makes it do six or seven things — geography, eye color, bruising, hypothermia, cardiac output — and the accumulation is what gives the ending its weight.

Mara: It’s a single sustained image system, and it holds.

Pip: Blue as a color, blue as a diagnosis, blue as the moment you realize the water was never still.

Mara: That’s the kind of poem that stays with you. More from poetography.ink next time.

Find the original poem here: https://poetography.ink/2026/05/19/deep-deep-blue/