Greta

What can you say our young assertive one
with the voice of an innocent and every reason to come
to the land of the people with the frozen tongues
did you hear the voices trapped in the throats of the speakers
the truthsayers the protesters the dumb and the seekers

what will you say my naive one
as a voice for the reticent who want to save their home
where no voices are heard and no listening is done
did you crack the blank shields of the riot police abashing
when your truth and your statements of the obvious were clashing
with the public dialogue of denial that’s in fashion

what do you now see my prescient soul
a world that is scared yet loudly condemning your role
contradiction abounds around what’s believed and is told
but you won’t close your mind your mouth or be controlled
because the need is the need of a world being sold

where ascendant rejections of science’s findings
carry weight disproportionate to tomorrow’s unwinding
and the hope that was youth falls to systemic undermining
I hope that you stand up to the relentless grinding
for across the world there are still people who need you
to attack all the arguments of denial so feeble
they still rise to smother the planet in chaos and evil
but for your pluck and your courage your ability to needle
it does provide a check with words that are real
and challenges others to rise too and reveal
the lies and deception the denialists conceal
I hope and I wish you can change how they feel

what will you say next our young assertive one

If you didn't pick it up the rhythm is sort of set to Bob Dylan's A Hard Rain's Gonna Fall

Goodenia Rainforest, New South Wales

Everything is food and food is everything.

Photography days #05. You can find the Goodenia walking map and description online at Victoria Walks: https://walkingmaps.com.au/walk/5756

All work is my own and copyright applies. I do not use AI. I do not wish for AI to use my work.

Belief

She doesn’t have faith like Jesus
But she does believe in love
she doesn’t have faith like Jesus
but she does celebrate life
she doesn’t have faith like Jesus
but she always tries to be kind
she doesn’t have faith like Jesus
but she leads a generous life
she doesn’t have faith like Jesus
but she worships nature and its gifts
she doesn’t have faith like Jesus
but she volunteers and gives a bit
she doesn’t have faith like Jesus
but she does believe in peace
she doesn’t have faith like Jesus
but she can turn the other cheek
she doesn’t have faith like Jesus
but she believes in equality for humankind
she doesn’t have faith like Jesus
but believes in freedom of speech and mind
she doesn’t have faith like Jesus
but believes in growing knowledge and skills
she doesn’t have faith like Jesus
but believes people should not kill
she doesn’t have faith like Jesus
but believes in doing good and always will
she doesn’t have faith like Jesus
but she should be honoured still

Written for the dVerse challenge from Andrew. When we take up poetic arms in any cause, we are trusting that “the pen is mightier than the sword!”

Comedy

I see the human condition as a comedy in which all of us take our part. We project or suppress our characters, we deliver our lines, we wish to entertain, we endeavour to engage with our audiences as we perceive they want us to, we offer intrigue by often thinking other than we act. We consider our individual lifelong performances to be important and then we die. The joke is really on us.

Motivation

Let memento morte inspire you to a life of health.

Let carpe diem motivate you to enjoy life’s wealth.

Life as a vacuum

 
Within my mind within my soul
There lies an ever expanding hole
When I try to grasp its meaning
Elusive thoughts distract my gleaning
 
Where I see a thing to do
There I lose it to something new
When I return to get more done
I find I achieved exactly none
 
I often don’t quite know who I am
Retired, a child or a working man
I sometimes see the past and future
It’s the present I struggle to nurture
 
I hear the talk around me go
When I talk I don’t always know
What I am saying to others there
I feel anxious as they look and stare
 
I lose things now so easily
I dismiss the losses breezily
With timid laughter I brush them off
Truth is I cannot understand the loss
 
I get confused and in a muddle
I no longer accomplish what was a doddle
Faces of loved ones I’m unsure of now
To answer a question I fail at how
 
I’m sure I should be I’m not quite here
There is this woman but who is “my dear”
I live with remembering uncertain fear
I forget to remember anything I hear
I want to go somewhere but the way is unclear
Why I should go there I have no idea
Is this life or farce it is certainly queer
I’m turned inside out my front is rear
No reason for existence yet death’s not near
No insight no knowledge yet I still shed a tear
Life is a vacuum into which I can’t peer

The mariner

I navigate life as a mariner
sailing unpredictable seas
Respectful yet wary
of what they might bring to me

the sea is my natural element
alternating tranquility with power
for me there is no better firmament
to anchor each ticking hour

the waves provide each peak and trough
of life’s brief and epic journeys
that for me is always enough
with the pleasure and pain they have earned me

afloat I bob between the layers of over and undersea
in my boat my capsule of life I bob most jauntily
when l’m aloft the view ahead is a matter of degree
when down below the view is fine,not seen murkily

time will come I’ll be called down deep by Davy Jones
my time of clear air or storms on water will be done
I’ll find a sandy bed to rest and place my ageing bones
afar from the binding land, eyes dead to the blinding sun

My insouciant self

I cherish my insouciant self
The one who never worries me
I treat this careless one as health
whose world is anxiety free

without this one where would l be?
walking around with a frown
but my insouciant self helps me see
how to turn that frown upside down

The truck

Pic: Michael Taylor
Down upon him the big rogue truck bore
Last thoughts were of those he adored
of her and those eyes so deep and brown
he fell in love with those eyes one night on the town
of the lithe girl in the backyard playing with cars
of the teenage boy inside playing his guitars
of the home he loved for its warmth and welcome
whenever he arrived back from long hauls and then some
there was the dog with tail wagging
as she greeted him excitedly
and the chooks out the back he greeted politely
what would become of his family and home
how could he leave them to fend on their own?
then the truck veered wildly missed by an inch
so close, so close no time to flinch
he shook with shock he shook with fear
he looked at his life and all he held dear
he knew what to do right away
the way ahead was clear

True love

When I took your hand
much smaller hand
much softer hand
much braver hand

when you took my hand
much larger hand
much harder hand
much lonelier hand

we readied two individuals
for joint lives
never known
alone

We took on each life
hard life
sad life
brave life

we rescued each other
one became both
more than both
more than we
imagined

we shone
we continue to shine
we sparkled
we spark in ways divine
we learnt about love
we learned to love it is sublime

true love

Patriots

Somewhere in France. I can’t remember where, but it had a profound effect.
It’s an old adage I know,
but if everyone declined to go,
if every decision-
maker said no,
if every arms maker built only ploughs,
there would be no seeds of war to sow.
Forget the patriotism of nationalists.
Strike to stop the weapon fashionists.
Vote out war mongering communists and capitalists.
None of it is worth the risk.

To the battlefield fallen, most unknown,
dead eyes to the sky, ground to the bone,
lost to family, lost to home,
forgotten souls of false hopes grown,
ploughed into fields of woe and sighs,
lost to memory, without good byes.

Soon out of sight, out of mind.
Innocent victims of war’s relentless grind.
Pay some mind,
pay some mind.

I wish I wrote like Dylan Thomas

It is winter in the dead good night.
Rage against the dying light.
God leaves with the day, be awake in fright.
Abandoned, his flock cringe at their plight.
Their church spears the sky with its needle like steeple.
But the sky remains deaf to the needs of the people.
Houses are blinded by shuttered, windowless eyes.
The village is drowned under darkening skies.
It lies in the bleak blackness, isolated from peace.
Weatherbeaten by cold, grinding poverty and a universal desire for release.

The exhausting smell of brutalised lives,
lived less,
and known to be so,
comes in through the cracks in the walls,
the roof, the dirty, broken window panes and under the doors.
Coal smoke and dust crusts up the chimneys and smudges the air.
Existence is spare.

Suppressed as lust,
here wishes are flights of fancy,
lost as soon as the ideas form.
They are consumed
by the eternal loss of hope. Everywhere.
The great consumer of dreams.

It is a wooden door that opens directly onto the street.
This one, once painted bright blue now feeling blue
on the cusp of being unhinged.
Neither entrance nor exit,
because there is nowhere to go.
With a tarnished and scratched brass letter slot in it
that flaps when the post man drops
in yellowed paper letters with postage stamps and addresses written in inky scrawls or flourishes that always ask for money.
It flaps with the icy northern winds
of every arctic blow,
whistling through the passageway, biting to the bone,
settling in each room as a resented guest.
Taking the heat from the meagre fire - if there is one,
robbing the heat from the few embers of scavenged sticks and coal scrapings in the cast iron stove,
extracting the heat from conversation rendering it chill, penetrating ill fitting clothes, darned and redarned
woollen socks, underwear, vests, scarves and second layer overcoats.

The smell of fried gristle and butcher’s sweepings sausages comes in from the small mean kitchen
in the back of the house
with it’s chipped laminate table and
chairs so tired they lean against each other to continue standing on legs that have been battered so long they are always threatening to break.
Lower limbs splintered and scraped by
generations of careless sitters.
No one ever takes any notice.
Table and chairs hug the wall
in fear of losing the only thing they
have to left to hold on too.
They have learnt the lessons of
the other inhabitants well.
Oh, and tonight the roadkill is in the pot
and the lying is done to their lot as
a distraction from the truth where
rats, pigeons, stray pets and their like
only have benefit if they can be cooked.
Foraged herbs from nearby roadsides
pretend to add flavour.
Bitter dandelion tea washes
down the tough, sinewy meat.
Grumbling bellies yet
again greet the night.

The inhabitants soon leave the kitchen with little room to skin another cat,
ever squeezing on each other to get by.
Grunting their “Excuse me”s as potent unwashed bodies
brush past without ever noticing
the rancid odour.
The Jonses and the Jenkins, the slag and the heaps.
In the barely candlelit gloom,
they meet again in the halls
to rise creaking up the bare narrow stairs to
the bare narrow bedrooms of
worn thin bedding on
narrow flat wooden bunks and groaning cast beds.
No mattress of note mind,
just a bundle of rags from the previous occupants, now
long dead and gone.
What was their name?
Oh well, it doesn’t matter does it?
Names have no bearing.
Your name will not keep you alive in this world,
or the next.

So they will not go gentle
into that good night.
Into any night.
They will struggle through another
where
adults live a chronic morbid existence,
stunted children play listless games of hopelessness and cruelty - death may always come early.
Death shall have its dominion.

Good Things Only #16

OK, so it’s a beautiful morning. Cold, about 1 degree when I got up. Just a touch of frost. The grass is very green and I can’t see a cloud in a very blue and crisp winter sky. The air is sharp, crystal and the light breeze has a bite that penetrates. Nonetheless (I love that word), it is a beautiful morning with the stripped bare deciduous trees revealed in their all their steak naked glory and the evergreen indigenous trees contrastingly clad in their full, puffed up grey green winter coats. It is a beautiful morning. It is silent except for the gentle rustle of that surprisingly penetrating soft wind. Oh, and the always there hushed background tumbling sounds of water spilling and falling, running and spinning, turbulent and dashing over flat granite shelves into rocky hollows and against small stray boulders pushed along by the intermittent pressure waves of variable winter flows as they surge with irregularity down the creek. It is a beautiful morning.

Against the cold I am wearing my favourite jumper. There is no heater on, just the layers of clothes capped by this marvellously insulating and cosy thickness of wool are keeping me warm. Lovingly knitted by my loving wife, it only really gets a look at the world in winter. It is too warm most of the time for wear in other seasons. I think that is what makes it all the more special. The built in love and warmth reflect its specialised purpose.

It is big and old, enveloping, creamy and embossed. These days it is a little on the stretched, sagging and droopy side (giving it a 10 on the affection scale – which as everyone knows is the top score for a jumper). It sort of hangs around me rather than is worn by me. In fact it could be called an affectionate jumper. The first of its kind and a quality to be aspired to and emulated by all knitters who learn of it.

The crew neck now has a cute little “V” shape from under which diverse collars can peek. Otherwise the knitting has held its pattern for years, making it sort of tight and loose at the same time. I love the detail of its repetition. This jumper has character. Maybe it even is a character in its own right. Yes, i think that is right, it has become a character in the story of my life because I have an emotional attachment to this jumper. We belong together. And that’s the way I like it.

something in the water

immersed in water
luxuriously suspended in space
cut off from the entire breathing human race

reflecting on water
so much to consider
when water as commodity goes to the highest bidder

tumbling in water
battered by an abused life giving sea
will i survive this wave crunching of me?

drinking any water
found on a scorching day
too many of these are making the earth pay

freezing in water
a break in the ice
i pull myself up, but just fall in twice

drawing down water
bought for the farm
having to buy water represents harm

a well full of water
a sense of security
an empty well brings fear to my family

river bed water
evaporates into the air
when will i see it again? i can’t up there

everywhere water
after drought comes flooding rain
our homes went under last year, then again and again

methane in the water
turn the tap and it burns
fracking structural layers causes geological churn

water suspension
plastic on every scale
next on the weather agenda - plastic hail

toxic water
neutralises fishing skills
no good fisherman can live on massive fish kills

ocean water
systems anchor for the world
danger warning flags ignored although they’ve been unfurled

wars over water
beginning and the end
is your water consuming neighbour enemy or friend?

drowning in water issues
battling exhaustion
this marks the end of my allocated portion

My first attempt at responding to David’s W3 where PoW Sylvia Cognac’s prompt is “water”

I always try not to

I missed you from the many everyday and milestone events in the life of a child and mother’s son
Although I always tried not too
The other deaths in the family to come
I always tried to avoid them as well
The ailments, injuries and recoveries
The aspirations, failures and victories
The exploration of new learnings
The celebrating of new skills
The sharing of self discovery
The chore taught domestic fundamentals
The sharing of hopes and sadnesses
The soundings decision sharing
The turmoil of adolescence
The breakdown of family
The need to talk when there was no one at home
The anonymous housekeepers who worked on their own
The living with grandparents who couldn’t understand
The attempts to erase your death
The problems and joys of schoolboy life
The holidays in your absence
The welcoming of new friends and girlfriends to our empty home
The experimentation
The wonder of a loving wife who might have been your friend
The graduations and award ceremonies
The choices about where and how to live
The arrival of children you would never know and who would never know you
The financial advice and life counselling
The support during child raising
The new jobs and directions
The sadnesses and hopes
The welcoming of our children's partners
The arrival of grandchildren
The transition to retirement
All the things we could have enjoyed together, but never got the chance
I missed you in all these times
And every now and then I still do
Although I always try not too


life is to death as tears are to rain

Bright is the light that shines on me 
as I dwell finally
in deathbed reverie
the doctor he talks
and talks and he talks

my wife she weeps
and weeps and she weeps
and time it creeps
and creeps and it creeps

what is this light that shines above
lights pallid face of death
to my love
the darkness it resists
and resists and it resists

in brilliance it glows
and glows and it glows
in radius it grows
and grows and it grows

this light that calls me as my light fades
this light that draws me
to the night of shades
with death it walks
and walks and it walks

my feeble hand I raise and wave
I waver and it waves
faces watch uncertain so grave
grave and so grave

I see my hand stir dust in the air
second last thing I will see anywhere
the dust it wafts
and wafts and it wafts

my brow is mopped
and mopped and is mopped
my hand drops
I drop and it drops

as dust I settle back onto deaths bed
into the pillow sinks my head
life’s weight I shed
I shed and I shed

looking down into the room
I am surprised it is lit
by only gloom
the husk has collapsed
collapsed collapsed

hollowed of life
of life and of life
beside my wife
my wife my beloved wife

the dust dispersed draws my spirit in
and back to dust
I go again
the gift I leave is small but complete
I was loved and I loved
I am replete

Today’s dverse prompt is from Laura, to write words of departure based on your choice from a set of quotes. I chose the quote from a favourite and most remarkable movie – “All those moments will be lost in time, like tears in rain.” Roy Batty, Blade Runner.

Juliet and Romeo

Juliet
is all slick and wet
her long hair in her eyes
she has been hit
by an idiot
drunk driving by 
bye bye

Romeo
roams idly by 
sees the girl on the ground
He looks at her 
quizzically 
then realises what he has found

Juliet
breathes in gasps
as blood pools under her back
She looks up sees Romeo
last look last love
as limbs go slack

Romeo’s
not much you know
but this time 
things are different
He wipes the hair from glazed eyes
and wonders where 
her life went

Juliet
rises above the scene
She watches Romeo
He cradles her head
gently in his lap
He whimpers out a moan

Romeo
struck by love’s full fist
his only love has gone
He whines he weeps
at his loss
Death into his soul creeps

Juliet 
bears final witness to 
Romeo’s last testament
“Did my heart truly love till now?”
he whispers
For the first time 
he knows what love meant
“Good night Good night”
“Thus with a kiss I too die”
He declares to her 
death pale face

Romeo 
bends his head down
tenderly brushes her cold lips 
with his own
he lets her head down 
lightly beside him
as he lies quietly beside her
takes her right hand
with his left

Romeo
from his pocket
retrieves a knife
meant for other men 
he eases the blade
between his ribs
it finds his broken heart
As blood pools under his back
his life is also gone

Juliet 
utters one last cry of grief
before she disappears
or was that one last cry of relief
in hope he reappears
for never was there a story of more woe 
than this of Juliet and her Romeo

Ingrid’s prompt for this week’s dVerse poetics was “Homage to the Bard.” I chose to write a poem approximately on the theme of Romeo and Juliet. https://dversepoets.com/2022/04/26/poetics-homage-to-the-bard/

Okra

Two women sit under a thatched roof 
supported by rafters
coarse wood brown
smiling and chatting together
Chickens scratch at the edge of their shelter
a bold shiny colourful rooster
a big shiny black hen

Their surroundings are a circular patch
dry dusty earth red
small mud brick dwellings
define a perimeter orange
The late autumn day is lit by a cold sun of
clean blue light

One woman sits above the other higher
she is perched
Her long thin legs hang over a shallow edge
a rug covered platform
She is the older in a thick faded purple
dress a pullover yellow
is topped with a scarf white around her neck
Her head is swaddled in a woollen wrap crimson
it frames a face sun
lit, weathered and aged by decades of labour

Spaces such as this
fields such as she can choose
to see at anytime
will forever be green and brown
She gazes pensively across
open communal space
She ponders her past with pleasure and regret
she speaks of things new
old, deep and trivial
Her arthritic hands clasped in a lap
of gratitude flesh
Her battered Nike sneakers peek out from
the long layers of fabric above grey and yellow
her face is calm
Her future as it will be

The younger sits cross legged
a woven mat under her strung tan
Together cultivating lines of okra
drying under sheltering eaves ragged
shadows of indigo host
hangings vertically in bright green
coloured lengths
unclasped necklaces ornaments
of metres adorn the space with a decorative
interior that creates a sense
coming festivity
The drying shed colours the day, the place
it’s people making
according to the crop
a pride of place for transient
prettiness and implications
security, work well done

Here for generations other
younger women have
sat for hours
days post harvest preparing
sustaining products of manual fieldwork
multi hued
for deep grey winter consumption
Her dress is brighter golds
magentas her hands are as yet
unaffected by the gnarly
growths destined by labour
She repeats centuries old weaving
patterns confidently efficiently unhurried
listening quietly thoughtfully respectfully

Tales of the past wash over her black and white
through her as water of life in delicate pastels
as hope as comfort
She knows here there are will be
still lessons to be gleaned
conversation the reflections of her elder
The younger a willing learner of
a quasi meditative state borne soft pink
by the methodical repetitious
nature of her work it is was as surely known
the best way for learning lessons
by the word of her people
successes and failures
myth legend
retelling that never ceases to inform
warm warn entertain and delight

There is comfort in the learning
a knowing that all the natural obstacles over
which there is little control life
will continue on on on
There is no question about how
time is to be spent
day by day this is dictated
by seasons culture necessity
green yellow brown grey

There is no concept of time ticking away
each day is known-quantity where
choice is limited but colour rich
life is sometimes unpredictable dangerous
set fluid simple
giving and taking with impunity
Time has no measure
life itself opaque

Two women commune as did
two before them
back it goes into the dark
blue of distance
where many women become every one
sitting together, stringing up green okra
another part of every year’s never ending
rainbow

Falling birds

 
 All those birds
 falling from the sky
 Some birds live 
 More birds die
 So consider
 Why oh why?
 We poison
 food chains
 and nature deny
 We pave 
 We divert
 We scrape the sky
 We take 
 too much
 don’t comply
 heat the planet
 watch it dry
 Then only
 crocodile tears
 do we cry
 As our legacy
 becomes
 the worlds biggest
 lie
 That we care
 action says
 we deny 

What I said to the other animal on my journey to the end of the world

 
I think you might eat me
I‘m scared that you will
If I run you beat me
No light on the hill
In the hope of appeasement
Still desperate to run
I appeal for lenience
For my trashing your home
So I’ll say I’m sorry
That we humans are dumb
I’ll say we forgot
Where we’ve been and come from
You don’t need to eat me
Because we’ll eat ourselves
Let me go quietly
From the home where you dwell
Humans all will be leaving
It’s our destiny
There will be no grieving
And your world will be free

The vicissitudes of life

 
 From birth through growth to the time of decline
 From decline to decay such a time is mine
 For all that went before for all that went astray
 For all that has been given and will be taken away
  
 I see the patterns unfold through my life by the gloaming of hindsight
 The illumination of knowing through latter years' insight
 As the past stretches out behind me the future road is short
 The decisions I have made will shortly come to nought
  
 I take one last chance to pass on the learning of my years 
 One last chance to help those to come if those to come have ears
 History is our greatest teacher for handling the vicissitudes of life
 Human nature is our undoing when handling the inconvenient truths of   advice
  
 Secure your future with love and enough wealth is the best advice I can give
 Working to this end gives hope which gives purpose to how you live
 Start early and start young to earn a path to joy and learn to take your rest
 Don’t deviate from this path but keep it flexible to be your very best
  
 Loss may strike you without notice grief may haunt your very door
 Grow from your loss for better to turn haunting to past lore
 Change will come unanticipated may shake you to your core
 See change as opportunity to put each foot firmly on the floor

 Wealth does not mean riches just resilience and security
 For you, your partners, your dependents, your growing maturity
 Be love and wealth empowered so that choices can be made
 Be moral with you choices and ethically do not fade

 When love comes your way hold it closely to your heart
 If love lost should leave you reeling be proud that you took part
 Know you have been loved and can love again because love is all around 
 If one thing is known it is all want love and with time it can be found 
  
   

The green cane chair

The green cane chair
 
 I sit 
 on my green cane chair
 The best chair for thinking
 It is outside 
 It has the advantage 
 of being 
 in a good place 
 A verandah from which
 there is much to see
 Even if the weather is cold
 it is in the right position 
 because the wind slides past 
 laterally
 In this chair 
 you can avoid 
 confronting winds of change
  
 You can sit here for 
 a long time 
 confident 
 you won’t have to move 
 or make way 
 for someone or something
 
 You can watch 
 all sorts of things 
 unfold from this chair
 Insects birds animals people 
 the day the night 
 the light 
 Seasons pass you by 
 I unfold from this chair
  
 This is a sitting for thinking chair 
 It gives access 
 to great scope for thought
 A matching cane table 
 stands 
 by this chair
 It is for
 all the paraphernalia 
 I choose to utilise
 for observation and thinking
 for research recording and writing
 Endless cups of tea 
 Vegemite and salad rolls 
 Fruit  nuts
 stacks of books
 Pens paper 
 Camera iPad and phone 
  
 Background noises 
 surrounding this chair 
 are soothing
 Creek water 
 tumbling over rocks
 An irregular breeze
 wafting at leaves
 Morning song birdsong evensong

 Another nice sound
 I often hear from this chair 
 is children playing 
 Always happy to be outside
 In cooler months
 running along the bush track   
 In summer  
 swimming in the waterhole by the bridge
 or excitedly calling to each other
 as they splash 
 about amongst the cascades
  
 You need to wear 
 a brimmed hat 
 sitting in this chair 
 regardless of the season
 This is to shade your eyes 
 from the northerly and westering sun 
 To balance the glare 
 against the shadows 
 on the surface 
 you are working on
  
 This chair has soft cushions 
 for the seat and for the back
 They rest against its structure of
 bent cane
 It is a very good fit 
 You can sit for a long time 
 before needing to move 
 
 However, the arms of this chair are narrow 
 They may confine you 
 to a limited range of positions
 This has the advantage
 of forcing movement
 This state of affairs 
 is  conducive 
 to constructive
 thinking by prompting
 physical activity
 around the house 
 along the verandah 
 in the garden 
 along the creek
 
 Such activity can be necessary 
 to continue to be 
 effective
 A mental activity reset
 New approaches 
 come with a reset
 Quite often they are so
 new
 you get a pleasant surprise 
 This is because 
 you didn’t  know 
 they were there 
 within you
 beforehand
  
 Another way to reset is
 change the scene
 move this chair
 to the edge of the verandah 
 or reorientate
 A different outlook
 New space
 New thinking
  
 You have to remember 
 to take the cushions 
 in 
 every evening 
 to stop them
 getting damp
 They get tired and worn
 They are due for 
 a new skin
 Just like me
  
 This chair is exposed to the elements 
 One day it won’t be there
 I wonder will another chair
 be so generous?
   

Rewilding: an urban beginning?

I recently read David Attenborough’s 2020 book, “A life on our planet: My witness statement and a vision for the future”. Ever since, I have been contemplating how on earth it will be possible to action the plans he outlines for preserving functional global climate systems, biodiversity, and saving ourselves from ourselves.

Rewilding is one solution Attenborough envisages. A small example may be when many urban neighbourhoods develop their own small forests and foster biolinks. The cumulative effect could be significant. Just as each relatively small piece of new built environment and mono cultural agribusiness diminishes our capacity to recover, each relatively small piece of new ecosytem and forest enhances it. See www.bbc.co.uk/news/stories-56003562

Two meals a day

Time for dinner

Well, we all knew what that meant

Time for the end of the day

Time to send friends on their way

Time to come in from outside

Time to come out from your room

Time to stop homework

Time to put down that book

Time to race to the bathroom

Time to tuck in that shirt

And brush your hair

Time to scrub those hands

Polish that face

Ready for inspection

 

Time to transform from

Rough and ready rascal

To be seen and not heard

 

Time to never be late

Time to take your designated

Place at the table quietly

With bowed head

Time to await your plate

Time to scan the newspaper

Standing tall in thick fingered hairy hands

At the other end of the table

Only the front and back pages ever viewed

While mum dutifully served

And offspring mutely ate

An unchallenged meal

Of meat and three veg

Tinned fruit

and milk for the weeds

 

She spoken to but never heard

They spoke at and ever erred

Sitting in silence always unnerved

 

Once fed desperate for dismissal

Before something went wrong

Before the security of bed

Where the anticipation of morning

And a new day unhindered

Would see a smiling chatty woman serve

And happily scold misdemeanours

In a bustling kitchen full of life

Breaking our bread

While the breadwinner toiled away

At that unhappy and mysterious place called work