Hooting to acknowledge others hunting there camouflaging plumage prey beware soundless flight beak and claws to tear night vision adept anywhere
hooting acknowledges others hunting there dancing with abandon a nightclub lair drinking jugs of alcohol teeth are bared faux charm awooing without care
De Jackson from dVerse asked we poets to post a Quadrille (44 word poem) using any form of the word “hoot”.
RL 21.500 is a line in the sand between two opposing camps which one will make the first move? it is going to happen AAM (At Any Moment) don't look away or you might miss it
What is this this thing called art this thing I feel smell touch hear see before me this mode for the senses to draw upon this code for the mind to interpret
what is this connection this very personal yet cultural experience where is traditional what is contemporary what is permanent what is temporary which aspect is simply material which is internally enhanced in response to which parts do you remain static to which do you dance testament contribution idea retribution
dora’s idea is redistribution
so let’s make anything into something called art let’s see if I can do my part I take an image something plain as a floor but it’s where I take it from that makes it more I climb stairs I scope and review until I find just the place that will do and the floor is no longer just a floor anymore but a creative rendering of space comes to the fore this is art
Curse of our ever accelerating time leach of the time once yours and mine funnelling us to places we don’t want to be presenting us with things we don’t want to see corporate instructions with manipulative intent designed to create outrage reinforcement and vent secretive grabs pull our clicks and attention urging us to resist when facts are mentioned I loath the discomfort the rush to agree the social fragmentation from this wedge being driven between you and me
Follow the simple non digital instructions depicted here to put out the fire!
Poetry days #42.
All work is my own and subject to copyright. I do not use AI. I do not want AI to use my work.
can you see the griffin dance across the garage door the sun made griffin just by chance of course I wanted more more the sun would not give me and the griffin faded fast this was my very first griffin alas I expect my last
Photography days #33.
All work is my own and subject to copyright. I do not use AI. I do not want AI to use my work.
Mine robe is rust it’s purpose refuge oxidised shell around me protector of my heart a flutter barrier to the world a clutter
betwixt my rusty robe and me lies a sea of tranquility where mind and soul are at rest where love beats strong in swelling breast
I dwell in rust on rusty bed my pillow brown for rusty head there find me with pledge to you amongst helter skelter rust piles askew
through water deep I will walk with you with you beside your rusty guide to rusty haven secure engraven come stay with me we're safe inside
in rusty fortress under rusty sky this place to be abide with me a rusty mantle tough rust retreat that malign forces will not defeat
my trusty eye my rusty robe deflects the fierce threats of the globe the purveyors of hate the snide deprived the walking hopeless the full divide to whom protective rust has been denied
I trust in rust as I trust in you together we’ll forge our rusty due the crust of rust our rusty glue
Poetry days #41.
All work is my own and subject to copyright. I do not use AI. I do not want AI to use my work.
Boundary Hill Road, Strathbogie Tableland, Victoria.
Walking Boundary Hill Road in dappled sun from the Mannas and Blue Gums lining the run the trees are magnificent and so is the landscape when you are walking here the feeling is great
Photography days #30.
All work is my own and subject to copyright. I do not use AI. I do not want AI to use my work.
Hold those words as one beloved hold them close to your chest and let time slip step outside time as one embraced in the arms of poems that hold you in their grip be taken to that strange dimension where all is compressed and distilled into new forms of truth turned this way and that by the bent of the poet’s will reminded of who we truly are by words that by being will never lie weep laugh and gasp in that suspension of time being far from everywhere yet ever closer by
with thanks to Marcella Polain (Ed) Australian Poetry Anthology Volume 11, Foreword II, Australian Poetry Ltd. 2024
Poetry days #
All work is my own and subject to copyright. I do not use AI. I do not want AI to use my work.
Secretly we meet as separate, boy and girl but take each other’s hand for company and together in our own world forget their world which has split us, violently we tarry a while, for our regret is felt both deeply and silently
to give up our child before our prime when all we wanted was decency all we needed was more time to be a family and only to be with each other as three together instead of separate and lonely
Poetry days #34.
All work is my own and subject to copyright. I do not use AI. I do not want AI to use my work.
A vivid sun rose from the east it offered me a good day my withered body sought solace in what was promised in that way I rose to greet and meet the sun looking forward to its promise my creaking bones and stiffened joints arose with only a little grimace I followed the sun throughout the day from sunroom to verandah seeking light absorbing heat with more vigour and more candour no pain relief was necessary as the day progressed I calmly bathed in soaking sun therapy at its best I gave thanks for another day of appreciating the sun its warmth and illumination of the world was delightful to this one as sick as I may be every coming day I return to partial health as the sun rays wash themselves over me with their golden wealth and so the night too looks a little less grim as the suns light fades and the evening chill slowly settles in I wrap myself in a blanket I sip hot tea and sit by a warming fire never the sun but I take what I can get as the aches return the cramps begin I look forward to tomorrow and to the east I’ll turn my gaze hoping for a little more sun to borrow
Poetry Days #31.
All work is my own and subject to copyright. I do not use AI. I do not want AI to use my work
Fewer Koalas visit us these days, Strathbogie Tableland, Victoria.
We witness their leaving like smoke in the wind the wildlife departure impossible to rescind following First Nations people out of the bush into memory alone at an increasing rush when we came here there were many koalas just 16 years ago now their sighting is uncommon as they falter and go and the freshwater crays I haven’t seen for five years the metal blue of their backs absent - extinction fears there once was a blackfish but it also is gone from the spring creek below us it once called home and the robins are fewer where they once dominated the platypus just hanging on from being eradicated I’m sure the list is much longer but what more can one do than try to protect what is left sheltered in a zoo more people and cars, disease, cats, foxes, more stock more land cleared, less native food, climate change, ticking clock we should know better but our efforts are weak we talk local but the world must now deliver what we seek
Poetry days #30.
All work is my own and subject to copyright. I do not use AI. I do not want AI to use my work.
Cnr Exhibition & La Trobe streets, Melbourne, Victoria.
I try to build the high towers you quickly tear them down I try to exercise my powers you remove my crown all my efforts at good you come for them with spades determined that you should send me back to the shade you undermine my efforts at being something better you cripple my best endeavours with termination letters I was once the coach but you do the money managing I am now an impotent ghost you’re the one real and damaging whatever I did to you I cannot work it out when I ask the question all you do is scream and shout so I’ll leave you here head for new towers on some far horizon I can’t wait any longer you and I are done
Poetry days #29.
All work is my own and subject to copyright. I do not use AI. I do not want AI to use my work.
Shark Bay, Western Australia. Photo: Michael Taylor.
The rocks called the brave fishermen to their very edge "come hither, fish from here" they said "the fish are biting the catch is better the fun is greater the platform flatter the water deeper the violent waves are more extreme" challenging warnings of danger with a fisherman’s dream
the men they came day in day out urging each other mucking about telling fish tales over waves in shouts clad for spray from towering spouts casting long into the deep swells without doubt
standing or sitting amongst squawking gulls from cold cans or hot thermos taking deep pulls reeling in their lines casting again taking on the elements as true fishermen
when the king wave hit most scrambled to safety some saved by their fellows dragged to the shore others dragged down were followed by bellows where are you our friends are you on oceans floor or riding the waves in hope of rescue we will scour the surface we will hope to find you we’ll watch from the rocks for any sign of life or we’ll slowly trudge home to inform family and wife
Poetry days #28.
The writing is my own and subject to copyright. I do not use AI. I do not want AI to use my work.