Mary, Mary

When Mary was born she put on quite a show
her hair as a floral bouquet did grow
her hands had green fingers covered in earth
her mouth was a rosebud first day of birth
her ears were round spirals just like sea shells
when she laughed she tinkled like joyful small bells
her nose was a Billy Button soft and yellow
her voice was a summer breeze soft and mellow
her toes were soon rooted in the loamy soil of home
and no further than that garden did she ever roam
where at her touch fruit was ready for harvest
at her invitation birds were ready to nest
she ensured vegetables and flowers grew in abundance
she learned all the ways of nature’s fertile dance
she was one pretty maid ready to grow
every kind of plant in a bed or in a row

The dVerse poetics prompt this week comes from Lillian. An interesting one that I found tricky to hook into. Then I thought of my granddaughters and out it came. Find the prompt here https://dversepoets.com/2024/01/23/and-what-were-you-like-before/

Growing old together

Growing old together, our life has indeed got better.
As our bodies steadily decline, get sensitive to the weather.
We find our ways to appreciate the world in which we live,
we try to do some good things, together we try to give.

Our children look as happy, as we can hope they might be.
Our grandchildren delight, us with growth and learning daily.
Our homes are all comfortable, if certainly nothing flash.
We make some time for entertainment and culture, when we have the cash.

Our love is as joyful as ever it was, I hope you will agree,
we take each day on its merits as I grow old with thee.
With hugs to start each day and then to say good night,
there’s something still going on between us, certainly something right.

I still pinch myself when we’re together, to make sure I’m not dreaming.
I don’t wake up because it’s real, no fantasy of dreams and seeming.
We look forward to time together, look after each other, give each other time and space.
A recipe for enduring success, not one you can replace.

Your kisses still sweet, your touch still electric, there’s still more for us to look forward too.
For our remaining time, while I’m still yours and you’re still mine, everything is fine.

Patriots

Somewhere in France. I can’t remember where, but it had a profound effect.
It’s an old adage I know,
but if everyone declined to go,
if every decision-
maker said no,
if every arms maker built only ploughs,
there would be no seeds of war to sow.
Forget the patriotism of nationalists.
Strike to stop the weapon fashionists.
Vote out war mongering communists and capitalists.
None of it is worth the risk.

To the battlefield fallen, most unknown,
dead eyes to the sky, ground to the bone,
lost to family, lost to home,
forgotten souls of false hopes grown,
ploughed into fields of woe and sighs,
lost to memory, without good byes.

Soon out of sight, out of mind.
Innocent victims of war’s relentless grind.
Pay some mind,
pay some mind.

A Melbourne Night on the Town

Flinders Street 
is the place to meet
the trains will get you there
you'll go out on the town
never let down
in this city where

the lights stay bright
all through the night
it's an entertainment fair
a place for dreams
and long limousines
amongst the glare and flair

the restaurants fill
and the public will
take in a bar or show
the music scene
has to be seen
then to another venue you go

so it's out to dance
or find romance
dressed and ready to party
new friends and old
a bit tipsy bold
will party away with glee

the night savoured
the energy wavers
for some their time is up
or more fun beckons
for those who reckon
there's more drink in this cup

the train ride home
goes on and on
if going home alone
while those lucky new pairs
hit the fresh air
tantalised by the unknown
This week’s poetic challenge from Punam.

Blue

Blue dog
Blue peaked hat
Blue lens
Blue jacket
Then blue again
Blue pants
blue socks
blue runners
blue locks
blue eyes
blue stare
blue ties
blue bag
blue tags
blue everywhere
blue disposition
the man i see
blue composition

Getting things done

Are they noble people?
There are no noble people,
only those who get things done.

Wherever, whatever their reason.
Mapped, planned or on the run.

So many times we make decisions,
given credit for inclusive premeditation.

So often it’s just recidivism,
fear, or creative explanation.

Where lies self interest I ask?
There will be an individual voice,

at the heart of every task,
at the heart of every choice.

Let’s hear no more of altruism.
Human nature drives what’s best.

For all, let’s take it as a given
We act selfishly unless
there’s benefit from the rest.

The right way to write

tools of the trade
I have never thought about how I write
with stealth or do I attack the page
sometimes I think I write in fright
sometimes I write to release my rage
but overall I’m a a reflective fellow
like a wombat I trundle about
I like to write thoughtful and mellow
until an issue makes me want to shout
and then I am as useful as a thylacine
the stripes on my back for all to see
extinct barking creature of a bygone time
a target for the crack guns to eradicate me
so, now I practice being an observer
like an owl watching and waiting in a tree
one with much less shout and more murmur
I learn more about the world to better understand me

This early 2024 dVerse challenge was a thought provoking one from Dora, to create an animal metaphor for how we write. https://dversepoets.com

At one

At one under the sun – Tahbilk Lagoon
I drink of life’s cup.
I adore its open doors.
Anticipation is best
when one thinks upon - there’s more!
As I pass on through,
into new areas to explore,
I reap the harvest of experience
for my keepsake drawer.
I find myself in other places
where nature’s spell is spun,
where my fears and failings
vanish into none.
I look upon the sky above
a sky will always stun.
I take my pleasure in Mother Earth
being at one under the sun.

I wish I wrote like Dylan Thomas

It is winter in the dead good night.
Rage against the dying light.
God leaves with the day, be awake in fright.
Abandoned, his flock cringe at their plight.
Their church spears the sky with its needle like steeple.
But the sky remains deaf to the needs of the people.
Houses are blinded by shuttered, windowless eyes.
The village is drowned under darkening skies.
It lies in the bleak blackness, isolated from peace.
Weatherbeaten by cold, grinding poverty and a universal desire for release.

The exhausting smell of brutalised lives,
lived less,
and known to be so,
comes in through the cracks in the walls,
the roof, the dirty, broken window panes and under the doors.
Coal smoke and dust crusts up the chimneys and smudges the air.
Existence is spare.

Suppressed as lust,
here wishes are flights of fancy,
lost as soon as the ideas form.
They are consumed
by the eternal loss of hope. Everywhere.
The great consumer of dreams.

It is a wooden door that opens directly onto the street.
This one, once painted bright blue now feeling blue
on the cusp of being unhinged.
Neither entrance nor exit,
because there is nowhere to go.
With a tarnished and scratched brass letter slot in it
that flaps when the post man drops
in yellowed paper letters with postage stamps and addresses written in inky scrawls or flourishes that always ask for money.
It flaps with the icy northern winds
of every arctic blow,
whistling through the passageway, biting to the bone,
settling in each room as a resented guest.
Taking the heat from the meagre fire - if there is one,
robbing the heat from the few embers of scavenged sticks and coal scrapings in the cast iron stove,
extracting the heat from conversation rendering it chill, penetrating ill fitting clothes, darned and redarned
woollen socks, underwear, vests, scarves and second layer overcoats.

The smell of fried gristle and butcher’s sweepings sausages comes in from the small mean kitchen
in the back of the house
with it’s chipped laminate table and
chairs so tired they lean against each other to continue standing on legs that have been battered so long they are always threatening to break.
Lower limbs splintered and scraped by
generations of careless sitters.
No one ever takes any notice.
Table and chairs hug the wall
in fear of losing the only thing they
have to left to hold on too.
They have learnt the lessons of
the other inhabitants well.
Oh, and tonight the roadkill is in the pot
and the lying is done to their lot as
a distraction from the truth where
rats, pigeons, stray pets and their like
only have benefit if they can be cooked.
Foraged herbs from nearby roadsides
pretend to add flavour.
Bitter dandelion tea washes
down the tough, sinewy meat.
Grumbling bellies yet
again greet the night.

The inhabitants soon leave the kitchen with little room to skin another cat,
ever squeezing on each other to get by.
Grunting their “Excuse me”s as potent unwashed bodies
brush past without ever noticing
the rancid odour.
The Jonses and the Jenkins, the slag and the heaps.
In the barely candlelit gloom,
they meet again in the halls
to rise creaking up the bare narrow stairs to
the bare narrow bedrooms of
worn thin bedding on
narrow flat wooden bunks and groaning cast beds.
No mattress of note mind,
just a bundle of rags from the previous occupants, now
long dead and gone.
What was their name?
Oh well, it doesn’t matter does it?
Names have no bearing.
Your name will not keep you alive in this world,
or the next.

So they will not go gentle
into that good night.
Into any night.
They will struggle through another
where
adults live a chronic morbid existence,
stunted children play listless games of hopelessness and cruelty - death may always come early.
Death shall have its dominion.

‘Twas

It was only one bird, I saw was missing from the sky.
And then I realised there was another missing that I could not deny.
Then,the flocks and gatherings I saw were missing from the coast.
Where had all the birds gone? That flight, that wing, that multitudinous host?

I saw the water washing clear upon the beaches of rock and sand.
I saw the water empty there, devoid of life it flushed the sparking strand.
There was one ragged crab as dead could be, it was wedged in a scaly crust.
Where once there were shellfish diverse and plentiful, now all were ground to dust.

Summer people walked and played in the waves, they paddled close to shore.
Unaware of the teeming life, that was there no more.
Where the water touched the land, the interface was sterile,
But one could still splash and be cool, with no inkling it was puerile.

My boat

My boat
My boat afloat 
upon the wavering sea
did accomplish its purpose
most buoyantly

my boat cast
upon any stoney shore
did rest awaiting my next
adventure with sail and oar

my boat I lost
to a watery grave
holed by a reef, by my being naive

and it still lies awaiting
this next sojourn to end
but alas
I rest there too
a watery spectre
beside my flooded friend

Walking in the evening

You never know who you might meet.

This week the d’verse prompt is from Lillian. She asks we poets to, “Take a walk with me.” You can view the full prompt here https://dversepoets.com/2023/09/05/take-a-walk-with-me/ I have chosen to rework a poem from a while ago that reflects on walks in the evening near my home. I hope you enjoyed walking with me.

Strathbogie has SPOKEN

St Andrew’s Church is a great little venue with good acoustics.

faceless

Portrait of Mary Alice Eckbo by Thorvald Hellesen
I got what I wanted
lost everything I had
what can I say
What can I do?
the faceless ones
took everything
including
you

From the heights
of the mountains
behind oslo
to the depths of despair
inseine
enparis
to be redeemed
after death alone
leaves me faceless
faithless

the impressions that i left
kept me away from you
reducing you to
faceless
along with your
faceless
crew

Today Lillian prompted we poets with works by an artist rejected by his country (Norway) Thorvald Hellesen. I chose this portrait of Mary Alice Eckbo because I felt it had great detail where there is none overtly apparent – as symbolised by the faceless Cubist impression that has been created. I really liked this artist’s work. It is hard to see how it was not recognised by his fellow Norwegians. You can find the prompt here https://dversepoets.com/2023/05/23/an-artist-gets-his-due/

The bottomless sea

swimming to the bottom of the bottomless sea
won’t you come and swim with me?
it’s the only place they’ll let us be
when we get to the bottom we’ll be free
just you and me and the bottomless sea

outa her mind

telling stories 
of phantom glories
looking over her shoulder
smirking until I cry
beating on the table
playing I Spy
wondering who’s there
saying it’s fine
working in montage
death and decline
definitely hers
probably mine
twitching of the wrist
pumping of the fist
batting of the eyelids
passionate kiss
vicious kick
full cheek lick
what makes her tick
she’s a bomb

Holy

 
 They told me I was holy
 I believed them
 Everything changed from there
 I knew what to say and how to say it
 I knew where to go and who to speak too
 And my messages of love served me well
 as I travelled the world gathering souls
  
 At first I thought I was on a mission
 Then the mission became a privilege
 I could bring light into the darkness 
 Lift the blanket of shadow over the world 
 Simply by saying the word
 Simply by telling everyone 
 what they already knew 
 Regardless of their inability to act
  
 I told them
 for a better world
 they must overcome self interest
  
 Then I saw the truth 
 How important my own self interest 
 had become
 If I was to be able to continue 
 doing such good and noble work
 love was the word
 and they loved me 
 while I loved adulation
 
 Prayer was empowerment
 They prayed, I played
 It was a perfect match 
 of preacher and congregation 
 Idolatry, narcissism and hedonism
  
 The spiritual demands of today’s society 
 thereby being well met
  
   

A Surrealist Rhyme for Erik

as I ascended clouds hid the way
I clipped their wings with shears of grey
The telescope told me I must act
Whispering of star falls and moonrise attack
I reflected on the power I lacked
I must net time and hold it back
the home I could lose the ground where I stood
solid as rock shapable as wood
saw me wretched with fear indecisive and torn
was this last of days the final morn?
So I took my sharpest pencil my notebook red
wrapped my head in wool to drown out the dead
in their bottle on the waves above the seabed.
I went to the library to learn from the books
how to save the moon from destructive skyhooks 
the learning was crystal clear as a diamond
shards came together for this ignorant vagabond
I knew what to do I knew it was right
to save moon and world I had to take flight 
I set my glider to fly from an open window 
when the sun’s mellow light fades to soft evening glow
I leapt on board to find rising fresh air
but all that I found was a down draft there 
and I fell to the earth as so many more
I resolved to try again but not like before.
A path to nearby mountains was a long weary trek
if I ramped it straight upward I could launch like a jet
but the weight of the world again dragged me down
into glass houses I crashed with a moan
so I built giant steps on which I climbed high 
to take the moon down from the sky. 
As I ascended clouds hid the way
I clipped their wings with shears of grey
the stars came to guide me as I climbed and climbed
pushing ever upward was all on my mind
until the way was clear the view up ahead
was one of the moon on a black velvet bed
a moon barely rising still held in sleep’s sway
a moon reluctant to hear my story let us say
so I sweet talked that moon with promises and bribes
offering pleasurable time on earth in which to imbibe
the moon gave a yawn looked up and looked down
asked if I was prophet, conman or clown?
requested some proof what I had to say was true
for it could hear only nonsense hard to construe
so I pointed to the black heavens where no starlight glowed 
the moon was astonished then concerned and then bowed
I will go with you to spend time on earth 
while threats to the skies are beaten and dispersed
I will rise again when the stars once more burn
to light the night sky with starlight returned.
Moon sank into the ocean for a seaside holiday
destruction avoided with the moon at play
the culprits attacked night to find nothing but vacuum
and the cow in the sky scooped them up with a spoon.

This week Mish asked we poets to write from a gallery of surrealist photographer Erik Johansson’s images. Find the prompt here:
https://dversepoets.com/2023/05/09/poetics-slipping-into-surrealism-with-erik-johansson/

Roderick

Roderick was into sleeping.
He went to bed because in his head
he was boring.
No one noticed his time asleep.
He’d been gone a year and week,
which suggests he was quite boring.
He’d been lying in bed day after day,
when someone wondered, then went on to say,
“Where’s Roderick?”
They found him asleep and snoring.

Then they said how long it took
to find him in his tiny nook.
He quietly stated that he mistook
the year and week for one nice long sleep
convinced it was just the next morning.

Only getting up to go to the toilet,
his face was pale, eyes crusty and set.
At some time his beard he’d wrapped into
a bun, his idea of having a small bit of fun
to deal with the cold and no nightcap instead
he wrapped it around his balding head.
They all said how odd he looked.
He replied it was heat restoring.

With no one to talk to and no tv,
Roderick had slept all of that time restfully.
In his small dark room where day remained night
where awake was tedious and without delight.
When Roderick woke to that knock on the door,
a voice had asked, “Roderick, would you like to sleep more?”
Roderick never felt better than when he was sleeping
so to sleep again he went as night came creeping.
Never was he or others so content
than when Roderick slept and time simply went
another year until Roderick’s next dawning.

Discover your heart

Young cloud
prisoner of a turbulent sky
look inward
discover your heart
fly on
to find an open window
sail away
on the wings
of your desire
to other skies
clear and serene

I did it for my babies

I sobbed while I banged my head on the dock
I lit the fuse tick tock tick rock
With nowhere to go I ran amok
because I knew no one gave a fuck

and my children died inside the conflagration
while outside I died as a witness stationed
to watch this act as the ultimate martyr
from lover to mother to miserable failure

now my babies don’t suffer anymore don’t you see?
their loss was my hope for my babies three
their release from torment my relief and my grief
I their life giver corrupter and thief

I scratched at the doors where help is the word
I pleaded for help and not one cry was heard
I make no further excuses for this desperate crime
judge me oh judge me and I’ll do my time

but I urge you who judge to stop and reflect
on the festering harm of abuse and neglect
on how absence of care equals opportunity cost
from pitiful existence my babies were lost


As dry as the land

Night’s last lingering cool breath
Marks the beginning of the end
As we rouse and arouse
Sleepily rising and realising
This cannot, must not, ever happen again

Bidding farewell to the events of the dark
With butterfly kisses and nuzzles
Tears of grief dwell, well and fall
As we own everything and commit to nothing more

For the first time, the last time we lie together
We listen in silence as another day’s hot outback wind
Begins to worry the doors and windows
And again rattle at the foundations of our lives

It’s the same drought wind that has been blowing forever
Forever keeping us apart no matter how much we lean into it
It keeps blowing us backwards to where we came from
It marks our passing back into life as it really is
Demanding and obligating with survival at its core
As dry as the land, as gritty as the sand

Bruised

I’m feeling a little bruised
a little rushed a little used
when you turn your whip like tongue on me
a little crushed and very confused

when you say that I’m not worth it
yet you keep on coming back
I decide that I’ll stick with it
and then you call me slack

yes I’m a sucker for punishment
my friends all tell me that
but really I’m a sucker for nourishment
I pray for it after every spat

I hate you and I love you
I tell you and relent
then you diss me and you kiss me
never knowing what each one meant

you don’t hit me or spit on me
you don’t go out with another
you just discard me like a soiled rag
whenever you think I’m a bother

then you take me back when it suits
knowing you'll always have the boots
to stand over me til I breakdown
to abuse me when I meltdown

I crave to be better, yet I'm a weak nag
always with one hand reaching for an escape bag
but I turn back from every open door
I pathetically keep coming back for more

then as I slide down every jamb
lamb to slaughter, slaughtered lamb
self esteem slides with me, to the floor we sag
and I gag and I gag and I gag

I see myself for what I have become
I know I'm not the only one
It isn't something helpful to know
others also powerless if they stay, powerless to go

Impacts of planned burns on the Southern Greater Glider

bertbohosouth's avatarOur Strathbogie Forest

This planned burn scorched the canopy, collapsed habitat trees and burnt through gullies

Importance of Strathbogie State Forest for the Greater Glider

The 24,000 ha Strathbogie State Forest in north-east Victoria was declared an Immediate Protection Area (IPA) by the Victorian Government in November 2019 on the basis of its state-wide importance as habitat for the nationally endangered Southern Greater Glider.  This declaration formed part of the recommended conservation actions in the Action Statement prepared for this species under the Flora and Fauna Guarantee Act to help ensure its survival (DELWP 2019). 

2023 Greater Glider surveys

Areas scheduled for burning in 2023 are known to contain critical habitat for Greater Glider (see full report below), however Greater Glider occupancy in some of these areas prior to 2023 was poorly known. We have conducted nocturnal surveys in several of the burn areas.

Results of these surveys re-emphasize the…

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