They told me about her hair
before I met her.
It was green.
I thought it the best hair
I’d ever seen.
The fall of her locks
topped long flowing frocks
that ran neck to toe
as they swept the ground clean.
In bare feet
so she walked
or sashayed
I should say
her hair bounced away
like gentle waves of the sea.
In long flowing robes
from her head to her toes
luminous bright green
and shimmering a sheen,
she moved as one
supple, undulating dream.
Her hips that were square
rolled sensually there
under rippling fabric I deemed.
Her shoulders carried smoothly.
Her pose held beautifully.
Her skin smooth as polished gold.
Her head held proud,
and defiantly bold.
Her face was of grace
framed in fine green lace
at the edges of the green hood
folded around her neck.
From the dripping sleeves of her gown,
where long hands emerged brown,
slender fingers completed the scene.
Bright brown eyes
looked curiously around,
‘til she stopped,
tall and sure
image of a noble queen.
She had turned toward me.
I, the watcher was seen,
and I found myself bound
to the tall brown woman in green.
Category Archives: Poetry
The darkness 01
In the darkness there is fear of what we do not know where moonlit silhouettes change frequented pathways through accustomed landscapes to unfamiliar tunnels hooded by shadows obscured by gloom alive with the colourless and hidden In black night confusion and disorientation assert themselves by seeding doubt Insubstantial surroundings draw an inky deception across the known world where that latent but ever present dread of losing our way will always prevail
Today, the dVerse challenge was from Linda to pick one line from a Jim Harrison poem and use it as an epigraph for a poem inspired by that line. I chose, “Yes, in the predawn black the slim slip of the waning moon.”- Remote Friends, Jim Harrison. https://dversepoets.com/2022/01/25/poetics-songs-of-unreason/
totem
I seek to find the tree where and when I find it I will know it for its role in my life spirit connecting totem white fella dreaming me my original culture kit equipped for consumption and strife for directionless floating missing address of life’s mystery missing where I fit cut from “other” as with a knife finished as animate factotum I seek the key in nature’s remit to open the door of relief to release my soul forgotten I walk the bush incessantly search nature’s bridge exquisite in enduring mortal grief to reveal immortal heart re-woken where entity is true and free where body and soul will sit with cup and bowl I turn new leaf full of love and hoping
Today Sanaa prompts we poets to write in the form of rimas dissolutas. In this form each stanza comprises of lines that end with a rhyme matching the corresponding line in ever other stanza. https://dversepoets.com/2022/01/04/poetics-exploring-the-realm-of-french-literature-first-stop-marseille/
Gotta Get Out
Sustenance, sustenance
The needs of my family, the very future
depend on my
Hunter’s skill
Tracking is the game
ignoring the baubles for the meat
persevering when hope is lost
When perseverance is the
only hope to find
As I cross the threshold
between sunshine and artificial light
where my flaming torch
of knowledge and experience
must keep me lit
alert to fallacy and trickery
Nevertheless it dulls
against intensely bright competition
These high ceilinged vaults
as if starlit with halogen and diode
I find it hard to distinguish whether
inflamed or extinguished
my very own light flares
or fades
As does the light of knowledge
or critical elements of judgement
This is a brilliantly ominous
hole in real space
This dead centre of comsupmtion
Of glow worms on mirrored walls of
perverted fairy lights created by evil spirit
I cross a
sinister boundary
into a world of corruption
temptation
and reduction
The world is rendered thus
The cavernous halls of this space
daunt
Its glittering stalactites drip
luminously
sweet waters
impure as added sweeteners can illicit
over gem encrusted
subterranean alcoves and niches
Where false gods are worshipped
Where diamonds turn to glass
Where purchase is neither
with foot nor by hand
But by extraction and brand
Burning into pockets
through means of exchange
where the purpose of this cave
becomes revealed
Although,
still not
to the naive, the gullible and the willing
Yet I stand strong
Resolute by my informed knowing
I conquer foreboding
fear held at bay
by the most fragile resilience
and I buy in
I buy big I buy small
I buy all the things I want at the Mall
Until I can but no longer
As these halls previously mapped
have seen the bounds of my credit card zapped
Gotta get out
before ruin befalls
My Christmas spree buying
One day for it all
Today’s prompt comes from Dora. In the context of the Crazy Christmas season she suggests, ….. “imagine a moment of pausing, a still point of epiphany.” dVerse
The beginning of a life together
We first lived together below Tawonga Gap beneath mountains capped with snow In a Happy Valley cottage by a valley threading creek, the Happy Valley flow Where trout could be watched hunting or basking below the surface And rocks were smoothed and sandy beds were lit by sunny luminance It met the Ovens River at the bottom of our hills Joining other tributary waters of mountain rivers, creeks and rills Where the crystal waters ran clean, clear and bright Where the snow melt chilled the river deep to summer’s great delight We shared an abandoned cottage dusted off for our loving residence After approaching the farmer about its rental and to make his acquaintance That small cottage at the bottom of a gully became our first home With surrounding hills and mountains our romantic place to roam Where the land about us and its occupants were both so ancient and so old And the farmer who was born there had so many stories to be told The days were long our backs were strong as we stepped outside the door And the fruits of our labour on the block fed us more and more We took the offered chook manure from the empty runs out back Enriched the soil, dug the beds, sowed farmer’s seeds, we did not lack The planted seedlings turned to vegetables as if by magic overnight Their abundance when we harvested fed us and friends heartily every night The dairy herd had long since gone and beef were the local stock But one house cow remained for butter and milk beside the dairy block Daily hand squeezed from her teats was milk so creamy and rich It was hard to drink, and harder to say we thought we couldn’t stomach it We had to tell the farmer not to deliver each and every morn But he was good he understood stopped delivering without scorn At days end an historic long tin bath bathed us once water was heated hot Soothing us and cleaning us of grime and sweat gathered on the plot The back step was the place to sit for weaving, sewing and repair The hammock was the place to hang and relax either alone or as a pair To hear the wind, to feel the still, to think and to contemplate To reflect on the newness of life together, the pleasures to appreciate And now forty years on I still think back gratefully to that time With certainty of knowing here were the foundations of a life together This life of yours and mine
Today’s d’verse prompt came from Laura, to write a pome recalling some specific thing or things from the past. https://dversepoets.com/2021/11/09/poetics-in-the-light-of-other-days/
Yakking
Yakking yakking on the phone they’re lacking basic social grace they are in your face if wanted or not their conversation is everywhere like a worm that twists deep inside your ear Yakking yakking shared across public space on public transport in public parkland throughout Halloween with not a thought to public courtesy private calls aired I do not care to share
Today’s dVerse prompt is from Lisa. She asks us to present a Quatorzain poem (a 14 line poem not necessarily a sonnet) in Duodora form as follows: 2 septets for which Line 1 repeats. Syllable counts per line are 4, 6, 5, 5, 5, 10, 10. Quite tricky! The subject is to speak to a human attribute that is particularly irritating to you with a Halloween or Samhain theme.
End of discussion
It’s done It’s over The matter is closed The issue resolved Before it arose No more talk about it Because there’s no more to say I’ll bid you good bye I’ll be on my way
Transient moments of clarity within my madness
wounded I crawl to drag my wounds further through the dirt dragging my belly along the ground is none to low for me in my hurt I will scavenge to survive but surviving will not a worthy life be more eking out an existence in the shadow of you to pay my due just to live in the shadow of you as close as I can be to skulk in a shadow world as of the light I am unworthy for the harm that I was to cause I regret and pay my price but there is not enough in remorse that I can forgive my owned and destructive vice there is no doubt in my mind I will always be the addict cripple you tried to save when married who left you ruined and harried at least my surreptitious watching over you gives me purpose with which to see I may prevent further harm to you as self destruction gnaws away at me
For this week’s dVerse challenge Ingrid has asked us to revisit a time in our lives when we have felt pain and come out of it on the other side.
This poem is a combination of close, shared personal stories. Feeling pain is as real as the sufferer perceives it to be. How someone comes out on the other side is relative and may not be consistent or sustainable.
3 Good Things Only #06

1. Many years ago – about 15? I bought a full brimmed hat at Salamanca Market in Hobart. I had been on the lookout for the right hat for some time. With the hair on the top of my head rapidly thinning, a hat became important in a way it had never been before. However, I just couldn’t find the right hat. All the hats I had tried either didn’t sit well, were to loose and blew off easily or had to be so tight to avoid this they created a feeling of stricture. Often the brims blew up flat against my forehead or flat over my eyes in a light breeze. Some made my head too hot, others simply made me look very uncool.
When I put on this particular hat I immediately knew its rightness. No, not quite. I thought it looked uncool, but then it felt so comfortable that uncool ceased to matter. With an Hibiscus motif on the stitched in band and also into the underside of the brim, it did look odd on me. On the other hand, the denim and cotton fabric meant it didn’t automatically make me sweat. The brim was reinforced without being rigid, it didn’t blow about. The seal the deal factor was the elasticised cotton band on the inside. The soft yet firm grip on my crown was secure without being tight, not cold to the skin to touch, temperate as a sweat band for a hot day as well.
I have appreciated this hat ever since. It has been my pleasure to wear it. Through all weather and work demands it has stood the test of time. It has faded, it has been patched, it has frayed or worn through at all the regular touch points, particularly the edges and peak. The Hibiscus band has shredded and the sweat stains embedded. Yet it endures as a perfect fit, with a perfectly functional cotton elasticised grip and the brim at the front has angled with use for the ideally acceptable level of eye shading and when I dips me lid.
2. Today I received a present of home baked biscuits. What a lovely and enjoyable surprise. I am grateful for such a good thing to come from such a thoughtful friend.
3. Vegemite.
No day feels right without Vegemite. It’s in my head until it’s eaten That salty flavour that can’t be beaten I love it on Vita Weet I love it on bread A Vegemite roll, I’ve often said Is the very best thing to ensure my day Is going along in the very best way
The Beatles
masters of lyric masters of music masters of harmony master songsmiths you raised us as you raised yourselves from notation illiterate to craftsmen majestic the birds when they hear your melodies listen hushed in admiration and learn you connected us across lands of difference, waters vast and cultures divergent universal emotions spilled when we heard your work in your lives you have sung our lives our joys and sorrows our hopes and aspirations our loves and losses our frivolities and consequence and still our hearts open to your words as if our own we know them part of the human life song playful, raaucous, challenging, beautiful full of pleasures and sadness as you endure beyond all before you you mark the significance of your generation you inspire generations to come your song has lived long and will not fade while we can listen because we hear with hearts and minds that will always quicken or quieten in tune with your words and music
Today’s dVerse prompt is from Sannaa. She asked us to write in a form of traditional poetry called “panegyric” poetry. Poetry of effusive praise.
The Photograph
when weary travelling an image of you I look at when I rest your portrait kept in a locket of gold warm between my breasts I see the small photograph and am reminded of what I’ve left with longing I wish to be home again my head upon your chest
For today’s d’verse prompt from Sanaa I chose the derivative Option 2. To think of a word. I thought of “image.” To use a derivative to create a poem. The derivative I chose was “photograph”. https://dversepoets.com/2021/09/07/poetics-dungeons-and-derivatives/
Winter Haiku 2 for #05

Slate grey winter skies Background fat silver lined clouds Rain filled and sun lit Slate grey winter skies Background deep sadness of loss Rain filled and homesick Strathbogie poetry #strathbogiepoetry
Parting
I know I won’t be missing you Because you live in my heart too It’s not about having your body here In my mind you’re everywhere You also reside in a time and space A place of love of ethereal grace That supersedes corporeal and now That’s my commitment and our vow We've shared our lives together as one With room to grow, make our own fun As I watch you go and that time closes I can’t think of what the future poses Yes it hurts, it’s unbearably sad But it’s also a marker of the joy we had Of the pleasure in each other’s company Of everything that will stay with me No matter what becomes of us as an earthly pair Always in my heart you'll be everywhere So rest my darling have a peaceful night Tomorrow we’ll see what comes of light Though parting is near even in plain sight We’ll be together forever come what might
Call it a day

Call it a day when you’ve lost hope There’s new hope tomorrow Again you will cope Call it a day when you are ill perceived When the messages you send Are not well received Call it a day when there’s no one around To help carry your burden To wherever you’re bound Call it a day when your heart is breaking Face losing love Accept the heart aching Call it a day so you don’t perish When those that you care for Have spurned what you cherish Call it a day when you’re emotionally driven Decisions aren’t well informed When emotionally riven Call it a day when you have earned your rest So that come next time You are again at your best Call it a day when you can no longer learn When memory is exhausted And your brain is burned Call it a day when your output is down Not accomplishing much Just one more frown Call it a day when you are feeling angry To avoid big mistakes When harassed and harried Call it a day when you have had enough Call it a day when you are faking tough Call it a day when everything feels rough Call it a day because there are silver linings There’s always tomorrow The sun never stops rising
This week’s d’verse prompt from Ingrid was to compose a poem in the tradition of oral poetry, without putting pen to paper. I found this quite difficult. We were also asked to try adopting a motif and present with regular metre.
I didn’t elect to tell a story as such, more to pass on a wellbeing message consistent with the purpose of handing down oral lessons to future generations.
Conservation Kasa

Many places I have called home as around the world I roamed. But none so full of joy for me as the Tableland Strathbogie. With mountain forest all around, wetlands, creeks, rills and swamps abound. Native animals can thrive here, Wombat, Platypus we hold dear. Vicforest loggers habitat deprive. We fear wildlife won't survive Koala are less seen today. Bandicoots all but gone away. Greater Gliders still here endure, but our forest is not secure. Conserve and re-wild what is left. Or lose all this to future theft.
This week’s d’verse prompt came from Sannaa. Write a poem using the Korean poetic form Kasa.
Cancer House

When the cancer came to our house It entered through the back door It snuck around the kitchen Down the stairs and straight into Our parent’s bedroom No one saw it arrive No one knew it was even near No one knew to shed a tear When the cancer came to our house We were blithely oblivious Our father worked away day to day Our mother taught, thought and sought Children came first and learnt without hurt Life was as good as suburban life could When the cancer came to our house The doctor said it wasn’t A young mother said it wouldn’t A young father said it couldn’t And the children had no notion of it at all When the cancer came to our house Our mother’s pain was hard to understand Fatigue and irritability unexpected and unplanned The right way to help couldn’t be defined We’d often not know quite where to stand As she rushed to the toilet or growled as she scanned And we still didn’t know the cancer was at hand When the cancer came to our house An unborn child, sister to siblings Was more important than knowing the findings Was important to the future of life with the wildlings Her death bereft being caught in such bindings When the cancer came to our house It was discovered way to late To deliver our mother from her miserable fate Of dying without respite Of fading from the light Of unbearable pain and strife Of the shameful waste of her precious life For this d'Verse prompt asking us to use "the house" as a subject for our poem, I apologise for breaking the rules. This is not imaginary, but I felt it had to be my response.
Fatalism

When you die and there’s nothing left of you Not a shape Not a thought Not even a negative space How will it be to be so completely deleted? You simply aren’t anymore It doesn't matter not a bit I’ve seen it over and over Dying A body replete Even when critically ill enlivened by ….. something Then a husk deplete Empty Empty of everything Rendering that person regardless of eminence of no consequence What is it to be nothing Universally less than no consequence How can it be that a consciousness Completely Absolutely Resolutely Instantly degrades to nothingness? Nil Null Void The fact of existence confuses us Even more so conscious life tends to make us think we are important When our rational selves are fully aware that the sheer scale of existence reduces us to insignificance This is our lived contradiction Our denial for survival When it doesn’t really make any sense at all Existence will end There was nothing before There will be nothing after There is no purpose to living in between but we do Clutching at a senseless hope for meaning or even something better after It should be enough just to be here for the ride
Winter Haiku 2 for #06
Winter grass lies flat Colour leached, dull and squat On the cold wet plains Winter's hair lies flat Old follicles grey sparse lost From my cold wet pate Strathbogie poetry #strathbogiepoetry
Hades begets Persephone
She awoke with a raw sense of dread
A cold sweat soaked the sheets of her bed
The sounds that night were not nighttime’s she knew
A hint of smoke contradicted the dew
Shadows danced on the bedroom wall
Where dancing shadows should not be at all
The normal still off white of the paint
Was lively with movement and firelight feint
She fumbled with billowing robe and nightclothes
Tying her robe up tight as she rose
Into a world of self doubt and fright
She stumbled out into the cold of the night
She touched the back of the door to sense any heat Realised she’d no shoes put on her feet Sidestepped and slipped into a pair of sandals As her hand reached out for the frightful handle
When she dared to look through the gap in the door Using light flickering lively onto the floor From her half awake hazy sleep deprived daze She wondered if the place was already ablaze
Further she pushed open the portal
Considered precious life and all that was mortal
Within her tiny flat B number 144
She wondered if she could take the fear anymore
And she listened alert for other clues
Thought about the price of paying her dues
She heard the crackle and pop of combusting wood
Her only thought now to get out if she could
She peered out into a reddish early morning gloom
To an apparently deserted yet eerie lounge room
But there at the side a large shape sat in a chair
Exuding an oppressive weight of despair
The wood fire aglow had strangely been lit It certainly was not her who lit it A monstrous head turned to look into her face An inhuman form by nature disgraced
He had discreetly followed her around town for weeks In peripheral vision never seen when he seeks Creating acute nervousness from endless teases A cat playing with a mouse its tormenting pleases
She knew instantly her time had come
It was not to be as life had begun
No comfort from her mother’s caress
No strength to be found on father’s chest
Hades stood to meet her towering ominously above Leering and smug antithesis of love She resigned herself to the monster’s arms Wishing after horror would come blessed dead calm
In this d’verse challenge https://dversepoets.com/2021/08/03/poetics-persephone/ Sarah asked us to take inspiration from the myth of the abduction of Persephone by Hades. I saw ancient (and not so ancient) patriarchal rituals and modern parallels as I read Sarah’s summation of the story.
Falling birds
All those birds falling from the sky Some birds live More birds die So consider Why oh why? We poison food chains and nature deny We pave We divert We scrape the sky We take too much don’t comply heat the planet watch it dry Then only crocodile tears do we cry As our legacy becomes the worlds biggest lie That we care action says we deny
What I said to the other animal on my journey to the end of the world
I think you might eat me
I‘m scared that you will
If I run you beat me
No light on the hill
In the hope of appeasement
Still desperate to run
I appeal for lenience
For my trashing your home
So I’ll say I’m sorry
That we humans are dumb
I’ll say we forgot
Where we’ve been and come from
You don’t need to eat me
Because we’ll eat ourselves
Let me go quietly
From the home where you dwell
Humans all will be leaving
It’s our destiny
There will be no grieving
And your world will be free
Pressing the accelerator

Flying into Melbourne On a private jet Bouncing off ideas With the business jet set Closing every deal No matter what it takes Ethical or shonky As long as the world quakes Driven by ambition Minister or CEO Really only two choices About which way to go Pressing the accelerator When I should have touched the brake How fast am I going to go How much more can I take Slamming down the spirits Soaking up the wine Things are a little beery But everything will work out fine Climbing the hardest rock face Dodging the greatest fall Pushing to the limit And giving it my all Burning the midnight oil Up until all hours Burning both ends of candles To see how much time devours Shooting a little heroin For all the joy it brings Snorting a little cocaine It’s coke that makes me zing Then I lost my partner I leaned on her I admit Then I lost my friends Who won’t see me in a fit Wondering why I need her Wondering why I need it Wondering who l am Any why I’m called a shit A few dodgy deals later I’m sure that I’ll be rich But a punch up with a waiter Left me in a legal stitch I crashed the car last Wednesday Into six or so I’m told Realised I couldn’t pay Forgot insurance in the cold Sick with hepatitis Broke from drugs and booze Living the high life baby Sure can make you lose Eating throwing up Hearing voices in my head Where are my friends and family I might be better off dead Claiming every benefit Sponging every favour Grabbing every freebie Before my resolve wavers Sitting on this pavement Holding up my sign I didn’t plan to be here It just came in time
The reality / truth paradox
The only reality is in one place, at one time,
as a fleeting perception of what a truth may be.
That is to say, no reality at all.
Reality is a thought of a truth in the here and now,
only ever understood by one mind in one instant,
only internalised by one heart for less than one heartbeat.
Then lost forever, to ever evolving interrogation, explanation and dissertation.
External attempts at understanding another’s reality and truths are just that, attempts.
Interpretations of another’s reality are creative, transient similitudes at best.
Knowing of another’s truths can only be attempted by association.
Association by its very nature denies the accuracy reality and truth demand.
History is a barely valid interpretation of past reality and its truths.
Yesterday is reappraisal of reality, mere perception of memorable truths.
The future has no reality where truth is elusive and aloof.
Tomorrow is simply anticipation based upon expectation come proof.
Proof is a contextual misnomer ignoring the reality question, what is truth?
Strathbogie poetry
#strathbogiepoetry
A response to this week’s d’verse challenge regarding the Hemingway quote, “There is nothing else but now. There is neither yesterday, certainly, nor is there tomorrow.” - For whom the bell tolls (1940). https://dversepoets.com/2021/06/22/dverse-poetics-one-true-sentence/
These first two lines of the quote cited immediately drew me back to a repeated personal exploration of what I call “The Reality / Truth Paradox”. If the word “certainly“ had been “certainty” it would have been a perfect fit.
I think this is a discussion Hemingway would have willingly engaged in with me if we had met. I would start with the question, “Do you apply fundamental realities and truths to your characters at the time of their creation?”
Winter Haiku 2 for #04

Water over rocks
Cascades into swirling pools
As winter rains refill
Water over rocks
Washes away rocky past
As winter rains refill
Strathbogie poetry
#strathbogiepoetry
my velvet declaration of love
softer than the sigh of a dying wind gentler than the onset of twilight quiet as the shadows of nightfall light as a mantle of misting rain I brush your lips with mine then I do it again